Sorry if they're supposed to be informational; I've made them more like teasers.
Friday, June 1, 2012
Thursday, May 31, 2012
Montage It: Interior
Background
Add model picture
Floor texture
Add dancers (degas painting)
mirror reflections
Trees foreground
Filter
Wednesday, May 30, 2012
Montage It: Week 3, Day Montage
Original image
Edit building facades to edit out tree
Swap the sky out for this stormy, cloudy one
Add building
Add drawing components
Add stairs
Increase opacity of background sepia layer thing, add railing bits
Add ground pedestrians
Add dancers inside building
Splice street facade of neighbouring buildings and bring layer up
Add filter to even out colour variations--Final day montage (version 1)
The opacity of the back screen is higher and as a result has a more graphical quality.
This version looks more realistic but it is harder to see details of the building :(
For the submitted montage, I used a opacity somewhere inbetween.
Layers used
Montage It: Week 2
Original image
Black out existing building
Original colour values of photo were similar to this
Tweaked values
Add shadows
Trees for atmosphere
Original image of dancers
Edited into montage
Add filter
Final montage for week 2
Layers used
Montage It: Week 1
Final image
This is created from several major components: building, dancers (inside building), sitting people, mist.
Original
These were all the layers I had. I'm not good with naming the layers, but I can usually keep track of what things are.
Placing my model into the landscape with some tweaking of colour values looked like this. It was a lot more reddish/pinkish initially (as below), so this already looks a lot better.
Adding some shadows inside and outside to blend it with the environment more...
Dancers + (inaccurate..) reflections + shadows inside
Add a bit of atmospheric mist...
Some people (about 3 layers) for a little bit of a sense of scale.
Tuesday, May 29, 2012
Montage It: Model
The client is a dancer, so I designed a dance studio.
My concepts were drawn from themes of the movie, and a lot of the visual quality of it.
I drew heavily from the (most obvious) black/white motif, with the two mixing and overlapping, and the black enveloping the pure whiteness, as Nina was eventually overtaken by the 'black swan' in the film. I built the model from cardboard that was white on one side and black on the other (bought like that). I had made a smaller test model from cereal box, and tried to use balsa wood for my final model, but it couldn't support the sharp angles I was trying to make. The cardboard supported the sharp angles and the whole construction is quite jaggered to capture the harshness of the film.
The interior is empty, as required for rehearsal space, but feels suffocating and hollow because the ceiling is unusually high and the windows are placed high up. Two of the interior walls are mirrors (shiny cardboard :D), and while this is common in rehearsal halls, it feels unnerving and introspective in this case because it is undisrupted, which is a quality of the film, as she looks into herself and goes mad...
I wanted captured the duality of the film (two distinct personalities of black & white swan), and did so by splitting the roof, making a butterfly roof sort of thing.
The studio is not intended to be used just for the client, as dance studios are utilised by many 'artists', practicing dancers, dancing schools, etc. Note to capture this aspect in the montages (the actual client is never physically featured in the montages, but is instead represented through the model.
Montage It: Client
I chose the fictional 'artist', Nina Sayers from the film Black Swan as my client. If you haven't seen it, she's a dancer/ballerina, who goes crazy, has a lesbian drug dream, turns into a swan and then dies (probably). I'm sort of kidding, sort of not...
Subscribe to:
Posts (Atom)